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ALL IS SOFT INSIDE

by Shanley McConnell

you did not survive alone to

stay like this; quiet and bone

knees hugged to skin, shirt, chest, undo

this, stretched shadows paving stone

:

5 4 3 2 done, midnight sun

red stars spread. soft universe,

speak to me. we live under one

gun. gracious, unheard, not alone.

Mao’s vision opens at the sight of the two children

from SELAH ARCADIA

Rain blows soft & unlatched

the way winter arrives

On Mao’s desk lies the letter

unfolded to the reveal

The rim of a world far, far

away:

Her sister, shoes tucked into

her school skirt,

Sitting on an egg crate crying

their old house

Her sadness oddly at home in

her eyes

 

*This poem is from the unfinished manuscript SELAH ARCADIA. The lyrical narrative follows five musicians who, commissioned by an anonymous composer to perform his latest quintet, tour Europe and the Mediterranean in pursuit of a poetic shaped place of vision, wonder and harmony—SM.

 

I did not read the book of myths

in response to Adrienne Rich’s poem Diving into the Wreck

I was too preoccupied loading the camera, ensuring that its lens was

screwed tight, its strap secure around my neck—swimming, sinking,

grasping hold of the ladder, coming up, coming to the conclusion that I

had seen enough wrecks in my lifetime to know that I did not want to see

another. I did not want to examine what lay below

The Departure

But there are consequences to the breathing-in-slow,

the take-my-hand, I know how to stay calm

When they, with eyes closed and traveling, treat you

second-hand, less-than—consequences

To the dancing slow-and-alone, when palm-wrist

movements meet our bodies and the room

widens six-by-six. Looking up and in and feeling

nothing but me and you in moments

When we could not complain, the loneliness of 365

days in three echoing years, departing from

a memory that would remain forgotten until we

experienced it once again. Our lives,

never as fair as they had been real. We stood in

the soundlessness of unknowing, knowing

home was becoming small, distanced by the fragile

minor of goodbye

About the Poet: Shanley McConnell is an MSt Creative Writing graduate from the University of Oxford. Their work received second-place in the Sentinel Literary Quarterly (2019), and was recently shortlisted for both the SaveAs International Poetry Competition and the HT20 Oxford Review of Books Short Story Competition. She recently completed two chapbooks: ON HER KNEES IN A COUNTRY OF SMOOTH STONES and Scheherazade, an illustrated collaboration. Their poetry often reflects on their experience of moving between the US, delving into exploration on the beautiful tension of belonging to more than one country.